Mona Lisa | 1986
And, at the other end of Mayfair’s Park Lane, the glamorous Sheraton Park Lane Hotel, Piccadilly, W1. Neil Jordan returns to the Park Lane’s gleaming deco splendour for The End of the Affair. The hotel also appears in the savage Gangster No.1, as a 'New York' hotel in Made Of Honor, as a restaurant and a beauty parlour in The Golden Compass, as an ocean liner in the 2008 film of Brideshead Revisited, and as the ‘Zig Zag Club’ in legendary Madonna-Sean Penn turkey, Shanghai Surprise.
It’s nearby, alongside the statue of Achilles at Hyde Park Corner (by the extraordinarily tacky Queen Elizabeth Gates) that George throws Simone out of the car after they row.
Simone also hangs out in Victoria, in the florid pink St Ermin’s Hotel, Caxton Street, SW1, where George turns up in the flash new gear appropriate to his new role as minder. The sinuously art nouveau interior of the St Ermin’s previously became an American restaurant in Warren Beatty’s Oscar-winning epic Reds in 1982; its ballroom was imaginatively transformed into the dining room of the ‘Savoy’, circa 1890, for Oliver Parker’s misguided 2002 opening-up of Oscar Wilde’s The Importance of Being Earnest and it’s on the roof of the hotel that Sid Vicious and Nancy Spungen enjoy a spot of gunplay in Alex Cox’s Sid and Nancy. A risky scene to shoot atop a building which overlooks – erm – New Scotland Yard, headquarters of the Metropolitan Police.
Simone’s search for her friend Cathy takes the pair to the King’s Cross area, and the strip- and peep-joints of Soho. Whenever the social problems of the King’s Cross area are discussed, there’s an inevitable reference to Mona Lisa and the hellish bridge where prostitutes ply their trade. In fact, the scene wasn’t filmed near King’s Cross at all, but on Pindar Street, a road bridge which once spanned the railway lines at the rear of Liverpool Street Station, demolished during the area’s substantial renovation.
Running alongside the eastern edge of the real King’s Cross Station, the brick arches of Pancras Road housed – until a couple of years ago – a series of junk shops and, at Arches 65, 67 and 69, just past Cheney Road, the now now-gone Railway Café, where George buys an ice cream sundae for the young hooker, May, who quickly does a runner before she can eat it.
Not far away, on the dusty, unlovely stretch of Gray’s Inn Road past St Andrew’s Gardens, is the striking, newly-restored, blue and white art deco apartment block Trinity Court, Grays Inn Road, which is home to Simone. Director Neil Jordan wanted the exterior to have “a kind of Middle European quality”, as well as a pair of parallel, open cage lifts, in order to stage the claustrophobic shootout with Anderson (Clarke Peters).
The grand ‘Highgate’ house, though, where Simone sends out a tray of refreshments to George while she services a rich client, isn’t north London at all, but way southeast, south of the River Thames, in fact. It’s Vanbrugh Castle, 121 Maze Hill, the house of architect and dramatist Sir John Vanbrugh, east of Greenwich. Also way south is Crystal Palace Road, East Dulwich, where George briefly visits his wife and daughter.
The church to which George, following Anderson, eventually meets the elusive Cathy can be found in Clerkenwell. It’s St Peter’s Italian Church, 136 Clerkenwell Road, EC1. The elaborate and colourful church was built in 1863 for Italian immigrant workers and was, at that time, the only church in Britain in the Roman Basilican style – it’s modelled on San Crisogono in Trastevere, Rome.
St Peter’s seems a little coy about its appearance in the film, perhaps due to the content. The front is barely glimpsed, as George enters through the unremarkable side entrance on Back Hill.
Mortwell (Michael Caine) issues his orders from what was the old strip club Raymond Revuebar, now cabaret nightclub The Box, 11 Walkers Court at Brewer Street, in the heart of Soho. It’s just around the corner from Madame Jojo’s, seen in Eyes Wide Shut.